Debra Brochin

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Printmaking Process

The printmaking process can be broken down into three steps:

  • Preparing a plate or block, image will be reversed when printed.
  • Applying ink to the plate.
  • Pressing the ink from the plate onto paper using an etching press which has a large roller that squeezes the ink from the plate to the paper.
There are a multitude of techniques that are used in printmaking the following are a few of my favorites:

Monotype Sequim Lavender

  • I apply ink or paint to a Plexiglas plate using a brayer (roller) or brush.
  • Once I am happy with my image I use an etching press which has a large roller that squeezes the ink from the plate to the paper.

Collagraph Balance

  • I use masonite or cardboard for a plate.
  • Then I build up the surface using found objects, cardboard, and acrylic mediums.
  • The next step is to ink the plate, lay the paper on the plate facedown then run it through the press.

Lino-cut Rock On

  • Using a linoleum plate I carve my image in reverse into the linoleum.
  • After inking the plate, lay the paper face down on the plate.
  • Using a wooden spoon I rub the back of the paper until enough ink is transferred from the plate to the paper.

Drypoint Harmony

  • Using a copper plate, the image is scratched into the plate with a scribe (sharp tool). This creates a burr of metal thrown up by the point of the tool that traps ink.
  • Next I ink the plate and run it through the press.
  • Then paint over the oil based ink with acrylic paint, press again.
  • Repeat inking and painting process.

IFPDA Printmaking Terminology Glossary

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